Each week Our City Together will be posting a simple creative challenge for you to try out at home.
These challenges will provide a fun activity you can do alone or with your whole family and are suitable for a variety of ages to help release your inner artist and creativity. Give them a go, try out something new and then share the results with us #OurCityTogether.
At this time of year, there’s nothing better to add cheer to your day than a festive tune!
- Using traditional music, or even better with a new tune, come up with your very own festive song.
- The lyrics can relate to the holiday season, or the current situation, but they must be designed to bring hope and cheer to the listener!
- How about mentioning your favourite place in London, your favourite festive tradition, or perhaps the kindest thing you've heard someone doing this year?
- Record yourself singing your song and share it with us on @visitthecity on Twitter, Instagram or Facebook using #OurCityTogether #CreativeCity
This holiday season, get crafty and make these simple festive decorations inspired by City landmarks!
What you need:
- Two paper straws
- A ribbon
- A picture of your favourite City landmark
- Coloured markers
- Your imagination!
How to make it:
- Print out an image of your favourite City landmark
- With some adult support, cut the frame around the image
- Colour the drawing in and make it festive!
- Place the straws at the back of the drawing in a cross shape and tie them to the drawing with a piece of Sello tape at every corner. Now your structure is done!
- Create a loop with the ribbon and attach it on top of the structure with some Sellotape
- Your decoration is ready for your tree or just to be hung around the house!
We love seeing what you've made so share it with us by tagging @visitthecity on Twitter, Instagram or Facebook with #OurCityTogether #CreativeCity.
Fashion is nothing new, just ask the Romans. Nearly 2000 years ago the first inhabitants of London were as interested in their appearance as we are today. The design of cloths, hairstyles and personal accessories all changed and developed over time in response. Regional differences were also visible, reflecting the huge territorial expanse of an empire that stretched from Britain to Egypt. There was even a British contribution to this fashion extravaganza. The Birrus Britannicus was a woollen cloak, appreciated for its waterproof qualities, rather more than its fashionable allure.
- Using whatever you can find at home (towels, sheets, scarfs ect.) create your own distinctive Roman costume. Alternatively, you could dress a cuddly toy in the Roman style. Our Roman figures above might give you some inspiration.
- On the right shows a wealthy lady wearing a tunic, or a tunica intimata, over which she wears a stola, a dress with lots of pleats. The outfit is finished with a palla, a rectangular cloak that was wrapped around the stola. These garments might be of linen, wool or silk- which would be brightly coloured or possible patterned. The distinctive hairstyle of the lady dates her to the late first or early second century AD.
- For the elite Roman gentleman there was only one garment- the toga. Worn over a tunic, this semi-circular cloth was draped over the shoulder and around the body. Usually made of wool, there was little choice of colour with most being white, and the most expensive colour purple being reserved solely for the use of the emperor. The beard and moustache of the Roman man, popularised by the Roman emperor Hadrian, suggest a second century date.
- Take a picture of your outfit, or perhaps even film a fashion show!
- Share your image or video with us by tagging @visitthecity on Twitter, Instagram or Facebook with #ourcitytogether #creativecity.
For more Roman inspired ideas, take a look at our Roman Party Pack!
According to my mum, when I was little I used to get the pots and pans out of the cupboards every night before bed. Then, I would go and get my brother and we would use the pots and pans as drums. We would take a drumstick each and bang really loudly on them to make rhythms together. Little did I know that we were trying to do something called:
What is Call & Response?
In parts of Africa, Call & Response developed as a way of communicating musically. Here are some of the things it’s been used for:
- Interacting in gatherings and ceremonies
- Affirming your place in the community
- Making music that anyone can take part in, and not just super talented people
Not only do you find Call & Response in African music, you also find it in music of the African Diaspora (which just means the African communities that spread out to places like the U.S.A and Jamaica).
How did Call & Response develop?
In the U.S.A, during the period of transatlantic slavery, groups of slaves would sing in this way to express grief, to help them work and to keep a hold of their cultures.
When slavery ended, African communities made the technique a very important part of their music. One singer would ‘call’ by singing a short phrase, and the rest of the group would ‘respond’ with an answer. They also would also mix this technique with the western hymns they were taught, which later became ‘Gospel’ music.
Here are some great examples of Call and Response that you can listen to at home.
- Click here to hear how African Call & Response influenced R&B artists like Little Richard in the early days of the music industry.
- The technique became an important part of Gospel, Blues, Jazz, R&B and Soul, and would later influence Funk, Reggae and Hip-Hop. You can hear it in some of these famous songs:
Sometimes the call and response are the same:
- Wilson Picket: Land of 1000 dances
- Cab Calloway: Minnie the Moocher
But often they are different, more like a question and answer:
- Iona Locke: Walk by faith
- The Isley Brothers: You Make Me Wanna Shout
- James Brown: The Payback (1:15)
- Bob Marley: Trenchtown Rock
- A Tribe Called Quest: Can I Kick It?
It doesn’t just have to be between singers, it can be between singers and instruments too!
- John Lee Hooker: Boom Boom
- Muddy Waters: Mannish boy (0:34)
Or it can just be between instruments:
- Miles Davis: So What? (0:33)
You can even do it with yourself:
- Son House: John the Revelator
Listen to one of the songs from the first list (I’d recommend Trenchtown Rock or Can I kick It?, but it’s up to you):
- when the Call & Response starts, one person sings along with the Call (“Can I Kick it”?) and everyone else sings along with the choir (“Yes you Can!”).
Find something in the house you can hit to make a sound. Anything made of metal or wood is ideal. You can use your hands or another piece of metal or wood to do the hitting with:
- one person calls by tapping or clapping a short rhythm, then everyone else responds by copying it (just like Minnie the Moocher). Carry this on for a bit, you can always change the call to keep it interesting.
- this time, one person calls a rhythm, and the others respond with something slightly different.
- one more, this time the call can be change, but when the other responds, it should be the same every time (just like in Trenchtown Rock or Walk by Faith).
You can try any of the above with a musical instrument. Can’t play it yet? Don’t worry! You can still hit, tap and blow the instrument in a rhythmic way to make a cool sound. Show us your musical creations by tagging us on social media, @visitthecity, and using the hashtags #ourcitytogether #creativecity.
“For the benefit of Mr. Kite
There will be a show tonight on trampoline
The Hendersons will all be there
Late of Pablo Fanques Fair-what a scene”
These famous lyrics are from a song written by John Lennon in 1974 called ‘For the Benefit of Mr Kite’. They were inspired by an old circus poster found by John Lennon and Paul McCartney in an antique shop in Kent. Until then, little had been known about Britain’s first Black circus performer and owner, Pablo Fanque.
Pablo Fanque was born William Darby to John Darby and Mary Stamp in 1810 (some sources say that he was born in 1796) in Norwich. John was second-generation African British. William’s family suffered financial hardship throughout his life, and it was probably for this reason that at some time between 1810 and 1831 William was apprenticed by arrangement to William Batty, the equestrian, circus performer and operator of Astley's Amphitheatre, London.
To be a circus performer was a risky profession, and so it was either through the need for the Darby family to provide a source of income or through desperation that William found himself learning a trade for which he would later become known throughout the country.
Having been trained in a ‘good though severe school’ in London, William Darby, who took the stage name Pablo Fanque, soon built a reputation as an impressive acrobatic performer, even performing for the Royal family with his circus troupe on 3 January 1834. Before a performance in Southampton one month later, The Hampshire Advertiser billed him as:
"PABLO FANQUE, The American Voltigeur and Flying Mercury, will make his first appearance here, and exhibit his performances CORDE VOLANTE. Upon which he is not surpassed by any Performer in Gymnastic Exercises."
Throughout the 1830s, and already a talented acrobat, Pablo Fanque trained under the tutelage of William Batty to become a skilled equestrian – a draw for crowds in the Victorian circus. Inspired by Andrew Ducrow, a renowned horse trainer, Pablo soon became known as ‘the loftiest jumper in England’. During the 1840s, he was known nationwide as a ‘man that could make horses dance’, and even purchased and trained a horse from Queen Victoria’s stables!
In 1841, Pablo Fanque set up his own circus. His first recorded performance as an independent circus owner took place in Newton Street, Warrington in January 1842. Fanque excited his audiences, performing as part of a programme which included acrobats, clowns and tightrope walkers. The Manchester Courier reported that Pablo’s circus ‘left no room’ for visitors to regret their visit to Warrington.
The line-up of performers in Fanque’s circus varied endlessly. In 1843, he was joined by acrobat William Kite, subject of the poster which inspired The Beatles, and John Henderson, well-known as a rider, wire-walker and tumbler. At one point, Pablo also travelled with Jem Mace, a bare-knuckle boxing champion, who put on an exhibition of fisticuffs. He later employed a “Master General Tom Thumb” and Elizabeth Sylvester, Britain’s first female clown. Toward the end of his career, Fanque switched to an entirely family-oriented show, enabling him to attract a more middle-class audience and charge a higher price for a ticket.
In 1847 Fanque made his London debut, which was a highly successful engagement. The London Illustrated News reported that "Mr. Pablo Fanque is an artiste of colour, and his steed…we have not only never seen surpassed, but never equalled…Mr. Pablo Fanque was the hit of the evening.” The steed in question was Beda, the black mare that Fanque had bought from Batty. That the horse attracted so much attention was testament to Fanque's extraordinary horse training skills. By the middle of the century, Pablo’s circus had become a fixture at many locations throughout the country.
One reason for Fanque’s success was his use of advertising. He hired Edward Sheldon at the age of just 17 to advertise the arrival of the circus as it moved from town to town. The grandest entrance had been planned of Pablo’s homecoming performance. The Norfolk News reported that on 23rd December 1848 Pablo entered the city of Norwich with a procession of a ‘fine stud of horses, preceded by an excellent brass band’. Pablo’s talent for self-promotion set him apart from his rivals. He even organised a competition prior to the arrival of his troupe in Dublin in 1851, offering a ‘pony and car’ as reward for the best riddle!
The circus was a harsh mistress and members of the profession lived on the cusp of financial disaster. Fanque was forced on at least one occasion to close down his circus and sell most of his horses. Short of resources, Pablo was also reported to have returned to performing as an acrobat. On another occasion, Pablo found his troupe sold from under him when a creditor transferred Fanque’s debts to his old master, William Batty, who in turn sold Pablo’s assets to cover the debt.
Personal tragedy struck Pablo in March 1848 when the wooden amphitheatre in which his troupe was performing in Leeds collapsed. Many spectators were injured, including his wife, Susannah, who later died from her injuries.
The success experienced by Fanque was not to last beyond the 1860s. Pablo was reported to have died ‘insolvent’, living in a room at the Britannia Inn, Stockport, with his second wife and two sons – George and Ted Pablo. He succumbed to bronchitis on 4 May 1871.
There is little evidence that Fanque suffered racial discrimination during his long career. The colour of his skin was mentioned infrequently in newspapers and Pablo became well known for his talent and his charity work.
As we know, Pablo was skilled at telling people that he was coming to town.
Your task is to design a poster advertising Pablo Fanque’s circus coming to YOUR town! Think about:
Black culture and creativity in our City is all around us. Sometimes it’s in huge structures that inspire us in South London with Yinka Ilori or in life size art works in Bristol with Lubaina Himid . It can be found in architects that inspire us like Sir David Adjaye or ideas to help someone on the other side of the world like William Adoasi. Black culture is about ingenuity (a really good idea), creativity and of course community.
Today there are three activities that you can choose from:
Do you need a bit of help?
Have a think about some of these questions, it might help you out with the activity:
Let us know what you create using @visitthecity on Twitter, Instagram or Facebook with #ourcitytogether #creativecity. You can see more from the creator of this challenge, Jess Nash, over on her website and also on Instagram.
This weeks challenge, Portraits, is in collaboration with illustrator and artist Jess Nash for Black History Month this October.
Black culture is a huge part of London's history and is also a big part of what makes London so special. This week, for Black History Month, we'll be celebrating the amazing Black musicians, creatives and activists below that are alive today and making history. Not only are they influencing culture around the world but they were all born or raised in London.
Portraits are a great way of helping to tell people’s stories and celebrating people we might not know a lot about. We’ll be celebrating Black culture today through a hands-on portrait activity.
In whichever material you feel the most drawn to you’ll be creating a portrait of game changing Black creatives. Some materials you could use are:
Plasticine/clay: If you wanted to make a sculpture
Paper/cardboard: To draw on. Or paper to collage your portrait
Pens, pencils and paints: If you wanted to explore mark making
Found objects: To create a portrait out of lots of different items and materials
1) Choose a material you would like to work in.
2) From the collage of Black creatives, musicians and activists above choose one person (or more if you like) to make a portrait of.
3) In your own style make a portrait of the person you’ve picked. It could be simply their face or it could be them doing their favourite thing like Pamela Phatsimo has done above.
Detail: Adding in things like hair, freckles, glasses and objects relating to their personality is a great idea.
Scale: Could you work really big or really tiny? How would that make the portrait different?
Angles: Now you know their names you can search for other photos of them if maybe you want to draw them from the side rather than the front or vice versa.
A bit more: Have a think about adding in some information to your portrait, what would you like people to know about them?
Once you’ve created your portrait, share it with us using @visitthecity on Twitter, Instagram or Facebook with #ourcitytogether #creativecity. This creative challenge was made in collaboration with UK based artist and illustrator Jess Nash, if you want to see more of her work you can find her on instagram as @jess__nash.
This week's challenge, creating a memory map, comes from our friends at OpenCity to celebrate Open House weekend.
Who doesn’t want to try their hand at being a magician? Explore your natural surroundings and find everything you need to make your very own magic wand! Use your imagination... what spells will you cast with your magic wand?
Things you’ll need
We’ve all been enjoying getting outdoors over the last few months and appreciating the wild beauty of nature. Why not try preserving some of that beauty using a homemade flower press? Once you’ve pressed your flowers, you could keep them in a scrap book, or use them for decoration on homemade greetings cards.
Long before the era of mass transport, John Keats managed to get away from it all by heading off for a walking tour of Scotland. He sent home some of his thoughts on the joys of travel in poetic form:
A SONG ABOUT MYSELF
By John Keats
There was a naughty boy,
A naughty boy was he,
He would not stop at home,
He could not quiet be –
In his knapsack (rucksack)
Full of vowels
And a shirt
With some towels,
A slight cap
For night cap,
A hair brush,
Comb ditto, (too)
For old ones
Would split O!
Tight at his back (on his back)
He rivetted close (fastened tightly)
And followed his nose
To the north,
To the north,
And followed his nose
To the north
Sitting down to write your own poetry can be a daunting and tricky task. If you want to have a go at writing a poem but don’t know where to start, try using erasure poetry!
You may not realise it, but the City of London has featured in some of Hollywood’s biggest blockbusters. We want you to awaken your inner actor and recreate your favourite scenes from these films. Action!
Say the words ‘City of London’ and ‘fashion’ in the same sentence and the image of men in pin stripe suits and bowler hats might come to mind. But fashion in the City has always been as diverse and exciting as the people who live, work, and visit here.
We have chosen ten historical figures who we think had a distinctive fashion look. Some were following the fashions of the time whilst others were deliberately creating their own style to project an image. And they all have connections to the City of London. We have described them and their ‘signature looks’ below, together with the fashion trends we think they would be least likely to adopt today.
But what do you think they would wear? Your challenge is to choose one and update their look for the 21st century.
Acted as Lady Mayoress when her father,a City merchant and widower, was Lord Mayor of the City of London from 1752-53.
Signature look: Haute couture. Fanshaw owned the spectacular gown above. In a style known as a ‘mantua’ it is made of Spitalfields silk – the equivalent of shopping local today! Bespoke designs, including barley and hops, are woven into the cloth as emblems of her father’s brewery business.
Least likely to wear: a onesie
Writer and leading anti-slavery campaigner. Lived for a time in the City of London.
Signature look: Well-groomed. An engraving of Equiano, also known as Gustavus Vassa, appears at the front of his autobiography, published in 1789. It shows him dressed in a smart coat, waistcoat and white linen shirt, with a cravat knotted around his neck.
Least likely to wear: distressed jeans
Prison reformer and humanitarian worker. Lived in the City in the early 1800s and regularly visited female prisoners in Newgate Prison.
Signature look: Modest. As a Quaker, Fry’s clothes were plain and simple in muted colours such as grey, brown and olive green. They were loose fitting with little skin showing. She always wore a white muslin cap.
Least likely to wear: a PVC mini skirt
Secretary of the Admiralty and MP, best known for his diaries which include an account of the Great Fire of London.Born in Fleet Street.
Signature look: Showy. Pepys wrote that he found it hard to enjoy himself one evening with friends when he was not dressed as elegantly as usual! He hired a silk ‘Indian gowne’ in a dark gold colour to wear for his portrait and wore a fashionable periwig.
Least likely to wear: tracksuit pants
Queen of England, Wales and Ireland. Greeted enthusiastically by the crowds when she rode into the City of London after her coronation in 1559.
Signature look: Bling. Elizabeth’s fashion motto today would be ‘dress to impress’! She wore magnificent gowns made of the finest fabrics, embroidered with gold and silver thread and decorated with jewels. She accessorised with earrings, brooches,necklaces and finger rings.
Least likely to wear: a little black dress
City of London merchant and Lord Mayor of the City of London three times between 1397 and 1419. Inspiration for the story of Dick Whittington and his cat.
Signaturelook: Classy. In the past only royalty and the nobility could wear some luxury fabrics. As a wealthy merchant, Whittington could wear fine woollen cloth, velvet and some animal furs. He may have worn fashionable shoes with pointed toes, known as ‘poulaines’!
Least likely to wear: trainers
Queen of the Iceni people and freedom fighter. Burnt the first Roman City of London to the ground in 60 AD.
Signature look: Warrior Queen. Boudica is likely to have worn long woollen tunics and cloaks. Native Britons loved bright colours and wove stripes and checks into their cloth. As a queen Boudica would have worn chunky gold, silver and bronze jewellery.
Least likely to wear: a pussy-bow blouse
Naval commander and national hero. Awarded the Freedom of the City of London in 1800 and buried in a tomb at St.Paul’s Cathedral.
Signature look: Military. As an officer in the royal navy, Nelson wore a fitted black-blue (navy blue) jacket with epaulettes made of gold thread, and a two-corned hat called a ‘bicorne’. On formal occasions he wore the various military decorations he had been awarded.
Least likely to wear: a baseball cap
Mother to Princes William and Harry.Married Prince Charles in St. Paul’s Cathedral in 1981.
Signature look: English rose meets Hollywood glamour. The young Lady Di favoured blouses with high frilly collars and pearl necklaces. As she developed her own style, Diana became known for her sparkling evening gowns, which were often one shoulder and sometimes slit skirt.
Least likely to wear: biker boots
Poet, playwright and critic. Tried at the Old Bailey in 1895 For ‘gross indecency’and briefly imprisoned in Newgate Prison.
Signature look: Flamboyant. Wilde declared that, ‘You can never be overdressed or overeducated.’ He had theatrical tastes in clothing, from velvet smoking jackets, to silk stockings and ties, woollen suits in loud checks and fur lined coats. His signature accessory was a carnation in his button-hole.
Least likely to wear: beige
Find out more about London fashion through the Museum of London's Fashion Alphabet.
The City of London was founded by the Romans almost 2,000 years ago. If cities could talk, imagine all the stories it could tell!
This is your chance to use your imagination and write or draw a story set in the City of London in the past. We have lots of ideas to get you started.
First choose one character, one place,and one object from the list below. They don’t have to be from the same time in history. Perhaps your character finds a magic object that transports them backwards or forwards in time?
If you want to have some fun, why not use a set of playing cards to help you choose? Take 4 cards with the numbers 1-4. Shuffle them and place them upside down. Whichever card number you pick is your character. Do the same for the place and object.
1. Roman acrobat: A highly skilled young person who entertains audiences in the amphitheatre. They could have travelled from anywhere in the Roman Empire including North Africa.
2. Tudor apprentice: A teenager learning a trade such as making clothes, shoes or saddles, or training to be a carpenter, blacksmith or builder. They play games in the street in their free time.
3. Victorian mudlark: A poor child who searches for objects to sell in the mud beside the River Thames. They might find bits of coal, rope, bones, iron or copper - and dream of finding treasure!
4. Civil Defence Service (CDS) worker:A volunteer who protects Londoners during WWII. They could be a fire-fighter,an Air Raid Precaution warden or an ambulance driver.
Tip! Roman Londoners lived from around 50 AD– 410 AD, Tudor Londoners from 1485-1603 and Victorian Londoners from 1837-1901. World War II lasted from 1939-1945.
1. St Paul’s Cathedral: Old St Paul’s Cathedral was built by the Normans and destroyed in the Great Fire of London. Today’s Cathedral with its famous dome was completed in 1710. It survived bombing raids during WWII that destroyed many surrounding buildings.
2. The Guildhall: Used as a civic centre for the City of London for almost 600 years. Today a curved line of dark stone on the Yard outside marks the site of the Roman amphitheatre. Here over 10,000 spectators could watch entertainments including gladiator fights!
3. The Royal Exchange: Founded in Tudor times as a trading centre for City of London merchants. Today’s Exchange is close to the site of the Roman Basilica and Forum. These were avast civic centre and a huge square used for public meetings and an open-air market.
4. London Bridge: There have been several London Bridges since the first was built by the Romans. The most famous is Old London Bridge which stood for almost 600 years. In Tudor times it had houses and shops on it and public toilets emptying into the Thames!
1. Oil lamp: Used by wealthy Roman Londoners to light their homes. It was filled with expensive olive oil through the hole in the centre and had a wick in the spout.
2. Moneybox: Often used by Tudor apprentices to save their tips from their master or mistress’s customers. It had to be smashed to get the money out!
3. Lantern: Used by Victorian police constables to light their way in dark streets and alleys. Known as a ‘bull’s eye lantern’because of the bulging shape of the glass.
4. Unexploded bomb: Hundreds were dropped from German planes during air raids in WWII. Called incendiary bombs because they were designed to start fires.
· Plan your story! How will it start? Will it build up to an exciting or dangerous event for your character? Or a funny or happy one? How will it end?
· Decide whether you will write the story about the character (3rd person) or as if you are the character (1st person).
· Make sure that you include the place and object in your story.
· If you are stuck for an opening sentence, use one of our story starters below.
· If you would rather draw your story, divide a piece of paper into 6 boxes. Draw one picture in each box.
Tip! You might want to find out more about some of the characters, places and objects before you start writing. Look on the Inspire section of our website or go to the Discover section of the Museum of London site.
· The tall outline of St. Paul’s Cathedral loomed out of the mist, dark and massive...
· A loud noise shattered the peace of a summer’s evening in the City...
· Have you ever wondered what you would do if your greatest wish came true?
· Today had not started well...
· Snow fell softly, covering the City streets in a white blanket...
· No-one could ever have predicted what happened that day...
When you have written or drawn your story take a photo of all or part of it. Or make a video of you reading it aloud – you don’t have to show your face! Share your image or video on Twitter, Instagram or Facebook and tag your post with #ourcitytogether #creativecity and @visitthecity.
The City of London was originally a Roman city, founded as a port trading in all sorts of exotic goods from the Roman Empire. What kind of dish can you make with these typically Roman ingredients?
Choose what you want out of this list of Roman ingredients and make a dish. Film yourself making it or take a picture of the finished thing.
Fruit and veg:
Lockdown has given us all the chance to become master mixologists; now’s your chance to show off your new skills! We want to see you create a signature cocktail inspired by the City of London.
In the last few months many Londoners have discovered a passion for baking. But what if you could only buy bread from one street in London? Crazy, right?
Well, that’s what happened in 1302 when Bread Street in the City was named by the king and all the bakers in London had to set up shop there.
And it wasn’t just Bread Street. There was Milk Street where cows were kept, Honey Lane, Poultry, Stew Lane and of course the world-famous Pudding Lane, among others.
To celebrate the City’s culinary past, why not share with us some of your recent baking achievements? Just choose a City street name and post a photo. Will it be Cinnamon Street, Saffron Hill, Garlick Hill or Camomile Street?
The choice is yours.
This year’s City Beerfest may not be able to go ahead, but there’s nothing stopping us enjoying a drop of the good stuff!
Rather than drink it though, why not try something a bit different - we want to see your most creative beer-based recipes!
This week, try making a Pride collage, with artist Patrick Bullock, in collaboration with Emergency Exit Arts.
The City of London is home to a wealth of LGBTQ+ history. Within the City borders are located landmarks, venues and organisations linked or actively involved with the LGBTQ+ community.
This exercise is all about playing around with ideas and drawing directly from your personal experiences using materials and objects you have access to in your own home.
Do: Create a photomontage or collage
The techniques of photomontage and collage are terrific methods for leapfrogging over the hurdles that prevent creativity. Not everyone has the skills to draw and visually interpret their ideas but pretty much everyone can use a pair of scissors and then arrange the results. See below for ideas.
First choose a topic/heading from the list below. You can do as many as you want or have time for. Interpret them however you want.
Tips on how to get started:
Once you have a pleasing arrangement, photograph it and share your image on @visitthecity on Twitter, Instagram or Facebook with #ourcitytogether #creativecity
Have you ever looked at the many items we throw in the bin and thought, quite literally, what a waste! Has the idea of giving the stuff that you no longer need a better use ever crossed your mind? Are you missing walking along City of London's streets and admiring some of its majestic buildings? Then release your imagination and free your artistic soul to join us by taking part in this creative challenge.
Do: Recreate your favourite City of London building out of recycled materials you have at home.
These tips below might also help:
Once you have created your masterpiece, don’t forget to share it with us on @visitthecity and @GreenSqMile on Twitter, Instagram or Facebook with #OurCityTogether #creativecity #recycledcity.
Take a look at last week's creative challenge. It's not too late to share a submission!
Did you know that the view of St Paul’s Cathedral has been protected for centuries?
Now that we are compelled to stay local, do you sometimes look longingly towards the City?
Can you spot its silhouette? Do you find yourself name checking its buildings?
No matter where you are in London, you can walk up a hill above the treetops to explore the horizon in search of familiar landmarks. Maybe you spot the Shard, Canary Wharf or the Gherkin but more often than not, your eyes will search for the familiar sight of St Paul’s Cathedral’s dome.
We would love to see your View from Afar! From your local park or your bedroom window, in the sun or in the rain, at sunrise or sunset, why not share your View from Afar?